#Booker T. and The MGs

[goodblacknews]

MUSIC MONDAY: "The Legend of Stax Records" Playlist (LISTEN)

by Marlon West (FB: marlon.west1 Threads: @stlmarlonwest IG: stlmarlonwest Spotify: marlonwest) Happy Music Monday, y’all. If you haven’t already, please dig Jamila Wignot’s new documentary “Stax: Soulsville U.S.A.”, currently streaming on Max. The four-part film tells the story of Stax Records, the iconic R&B label, from its late-1950s beginnings to its 1975 demise. In its prime the label…

[odk-2]

Albert King - Born Under a Bad Sign (1967) Booker T. Jones (Music) / William Bell (Lyrics) from: "Born Under a Bad Sign " / "Personal Manager" (Single) "Born Under a Bad Sign" (Compilation LP)

Blues | Electric Blues

JukeHostUK (left click = play) (320kbps)

Personnel: Albert King: Vocals / Lead Guitar Steve Cropper: Rhythm Guitar Booker T. Jones: Keyboads Isaac Hayes: Piano Donald "Duck" Dunn: Bass Al Jackson, Jr.: Drums

Horns: Memphis Horns: Wayne Jackson: Trumpet Andrew Love: Tenor Saxophone Joe Arnold: Baritone Saxophone / Flute

Recorded: @ The Stax Records Studios in Memphis, Tennessee USA on May 17, 1967

Single Released: May 25, 1967

Compilation LP Released: August, 1967

Stax Records

[music-tourney]

[sowhatifiliveinfukuoka]

Booker T. & The MG's

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If I missed any, give them some love in the comments!

[musickickztoo]

Donald "Duck" Dunn † May 13, 2012

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[rolloroberson]

Booker T. And the MG’s

[justwalkiingthedog]

Le Blues de Memphis - 1969 French Documentary

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NORTHERN EXPOSURE 3.10 Seoul Mates

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Steve Cropper - The AMAZING Story Behind "Green Onions"

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(via JHALAL DRUT: Donald “Duck” Dunn)

[cantsayidont]

Love is stored in the "Green Onions." (Stax Records, 1962)

[ardentpoop]

chilling to me when I see ppl who frequently post abt supernatural indicate that they are unfamiliar with some of the most iconic moments from the early seasons. hello? wtf do you mean you haven’t memorized folsom prison blues frame by frame.

[yestolerancepro]

Tolerance Project extra Thank you for the music Part 2 Classic Cowboys to Classical music

Introduction

Hello there Ben Brown here and welcome to the 2nd Chapter of a blog that looks at how we created the soundtrack for the Tolerance film as we join part 2 Robert is trying to get to a Job interview and Julie has an ungrateful boss to deal with

4 minutes 13 seconds Robert has to get to a job interview, but finds it hard work getting there. He misses his taxi, then a bus and he narrowly avoids getting run over. He is saved by a passer-by, played by Dan McTiernan, who was also our first Assistant Director. When Robert is about to be run over you can hear the Jaws theme for the first time. You hear it again when Robert meets the infamous Mr Grosenberg.

Again we went with the John Williams original the famous theme which we all know and love is called main title/first victim.

To learn more about the original Jaws 1975 click here  https://www.youtube.com/watch?v=V7jjHLJlDZo

I always felt a bit sorry for John Williams his record companies always seemed to a bit slow when releasing single versions of his hit themes. He missed out on a sure hit with his Star Wars theme in 1977, when a disco cover version of the main theme by a band called Meco entered the UK charts at number 7 and a number 1 hit in the US

You can find a video about that version by clicking here https://href.li/?https://www.youtube.com/watch?v=GAjuvI6sX2U&list=PL17vqAEJv6CV1syq4_fFKgBwSqGdJzH9z&index=264&t=135s

His original version used in the film spent 2 weeks in the US charts reaching the top ten

To learn more about the original Star Wars click here https://www.youtube.com/watch?v=j8_7IAP-biU

Like wise a cover version of his Jaws theme became a UK top 30 hit in 1975 John wouldn’t have a hit under steam till his Superman theme entered the UK top 40 in 1978

As Robert makes his way to the Bus stop we here People are strange a song by the Doors from their 2nd album Strange days The song peaked at number 12 in the BillBoard hot 100 US charts in 1967.

it later featured in the Horror film the lost boys from 1987.

When it was covered by Echo & The Bunnymen reaching #29 in the UK charts. The song was produced by Ray Manzarek, who as part of the Doors played Keyboards on the original track and on the cover version, its this version from the lost boys that we used in the Tolerance film

To learn about the making of The Lost Boys film click here https://www.youtube.com/watch?v=i4wGnXH4DOI&t=4s

8 minutes 24 seconds On her way to work Julie is past by a car which parks in a disabled space. Julie is not happy when she realises that the person parked in the space is not disabled, but is in fact her boss, Mrs Jones, played by Kate Faulkner. Julie daydreams about what she would like to do to her boss, leading to a spoof of The Good, The Bad and The Ugly. 

The Version used in the Tolerance film is a cover from an an unknown artist  and was not by Ennio Morricone or Hugo Montenegro.

In 1968 Hugo Montenegro released a cover version of the good the bad and the Ugly recorded on a Moog synthesizer it was big hit on both sides of the Atlantic a number 1 in the UK and a top 10 single in the US hitting number 2 in the US hot 100  It was held off from the top spot by another cinematic song: Simon & Garfunkel's "Mrs. Robinson." from the film The Graduate

The film's soundtrack was also a big hit reaching number 4 in the US album charts 

To learn more about the Good the bad and the ugly click here

11 minutes 19 seconds We cut to Julie, who is unhappy in her work. Mrs Jones tells her that she wants five copies of the work action plan and she needs them now. She later tells Julie that she can have the morning off, but first Julie has to tackle the monster photocopier. We chose the classical music, Car O Fortuna - Carmina Burana, by Carl Orff for the background music to this scene. This track is taken from my mums CD collection thanks mum ! 

 Carmina Burana is a cantata composed in 1935 and 1936 by Carl Orff, based on 24 poems from the medieval collection Carmina Burana. Its full Latin title is Carmina Burana: Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis ("Songs of Beuern: Secular songs for singers and choruses to be sung together with instruments and magical images"). It was first performed by the Oper Frankfurt on 8 June 1937. It is part of Trionfi, a musical triptych that also includes Catulli Carmina and Trionfo di Afrodite. The first and last sections of the piece are called "Fortuna Imperatrix Mundi" ("Fortune, Empress of the World") and start with "O Fortuna".

14 minutes 29 seconds Robert goes into town to try and get a birthday card for Julie, but finds some of the shops and cash machines inaccessible. Does anybody know what the drum and bass music is here? Please let me know, so I can add it to the soundtrack playlist

17 minutes 29 seconds

Odeon Cinema sequence and the last of our film spoofs - this time to An Officer and a Gentleman. So it was only right when spoofing that film we use Up where we belong from the 1982 film. The song a duet by Joe Cocker and Jennifer Warnes it plays out in all its glory on its original chart release it was a top ten smash in the UK a number one in the US and it also won a Golden Globe A Grammy Award and an Oscar for best song.

19 mins 12 seconds as Julie and Robert make there way into the Odeon Cinema the instrumental track Green Onions can be heard recorded in 1962 by Booker T. & the M.G.'s. Described as "one of the most popular instrumental rock and soul songs ever, its also  one of "the most popular R&B instrumentals of its era", the tune is a twelve-bar blues with a rippling Hammond M3 organ line by Booker T. Jones that he wrote when he was 17.

It started life as a B side the instrumental will become a soul standard when its first released on the US charts on the 11 August 1962 where it reaches no 3  

It first appeared on the UK Singles Chart on December 15, 1979, following its use in the film Quadrophenia; it peaked at No. 7 on January 26, 1980, and stayed on the chart for 12 weeks

So Robert gets the job at the cinema and we see a montage of shots of him enjoying his new role to the music of The Professionals theme by Laurie Johnson The popular TV show ran on the ITV network for six series between 1977-1983 I like the scene but I would have used the classic Pearl and Dean Cinema Music.

Laurie Johnson passed away recently you can read the obituary by clicking here Laurie Johnson: The Avengers theme composer dies - BBC News

 If you have read and liked this blog please consider giving a small donation towards the Tolerance project by clicking on the above link

Notes

This blog has been compiled from various sources including deep breath Ability not Ability a Producers Commentary Part 1 in the Beginning Ability not Ability a Producers Commentary Part 2 Transport Ability not Ability a Producers Commentary Part 3 Employment Ability not Ability a Producers Commentary Part 4 Accessability Tolerance Project goes into Lockdown and Happy Valentines day from the Tolerance project

Thanks to Wikipedia for some of the musical background notes

This new edition also includes new making of documentaries for Star Wars Lost Boys The Good the bad and the ugly thanks to Minty’s comedic arts

Some material has been included from the Justin Lewis book Don’t Stop The Music Thanks to Google images for the pictures and Ian Medley for the Tolerance film screen grabs

Pictures

Jaws poster from 1975

The Meco artwork for the Star Wars theme cover version

Artwork for the Doors album Strange Days

Artwork for People are Strange covered by Echo and the Bunnymen for the lost boys in 1987

Poster for the Good the Bad and the ugly

Artwork for Mrs Robinson by Simon and Garfunkel

Artwork for the Good the Bad and the ugly Soundtrack

Carl Orff

Screengrab Julie (Clare Abbot) about to face the monster photocopier

Artwork for Up where we belong from 1982 from an Officer and a Gentleman

Artwork for the Booker T and the MGs single Green Onions

Quadrophina Poster

Publicity photo for The Professionals  

[musickickztoo]

Al Jackson Jr.

November 27, 1935 – October 1, 1975